Month-long residency in a former thrift store / living museum in downtown Greensboro, NC. Three-floor environment of accumulated objects from 1939–1997 that residents use as both studio and exhibition space. Interdisciplinary, collaborative, queer-friendly.
This place held a mythical presence in my life. I had known about it through friends going. I remember my first days were just about going around the space to figure it out. What materials could I use and what materials didn't interest me at all. My fellow residents and I gave an artist talk, southern style, on the front stoop of the building; the front of the building opens up to become an outdoor community-inviting auditorium. On day three, after our search, discovery, and presentations were over, me and the other residents began our projects. There were previous residents before us just rounding their projects up for their residency period. The overlap was nice and gave a great ebb and flow but an ultimate continuing production level in the space. As we would work in the space, we also learned how to dodge and engage with the community and tourists of Greensboro as they wandered around the first floor hiding in forts, reading out-dated books, playing with the music machine, and sitting in the kitchen drinking some freshly made sweet lemon tea. The space is open to the public as a living museum during the week. Some days were slow and you thought would never end, some days you wandered the history-rich streets of Greensboro, or some days you worked heavily on your purposed project meeting with the supportive staff and interns to either discuss questions or document works. Some days, there would be surprises happening right in our 'living room'. Artists are invited to administer or participate in various workshops. There are chances to get down and dance at hootenannies and chances to rub elbows with Greensboro's finest hunters at dinner events. One night you will have press from Russia coming in and photograph you eating dinner and the dogs barking out back. The residency culminates with a big First Friday end (depending on your residency timing) where artists can schedule performances, film screenings, or finish and unveil their month-long project. In just this night alone, at lease 200 people (my guess, and might vary) come in through the door. The excitement is palpable. Elsewhere is more than a break away in Southern America from the normal hum-drum working lifestyle. I learned how to play again, how to collaborate with my peers and the community of Greensboro, I learned how to improve my cooking skills by making something out of nothing during my dinner shift, I learned how to slow down to Greensboro time and how to thus slow down in life a little bit more, how to appreciate vintage clothing (everything) and I learned how to search around me and my environment (whether in Elsewhere or further in the world) and really try to make the most resources out of my surroundings (you could say Elsewhere is like an advanced level of Publicly Engaged Site-specificity 101). To sum it up, this place is spectacular and full of potential within your own artistic practice. The people are as sweet as pie and the community is even sweeter. The price is perfect and you get a huge return for your money and investment. I would highly recommend this residency to anyone who is interested in exploring, playing, social practice, performance, culinary arts, costume/sewing projects, photography, video and filmmakers, curious beings, site-specific inventors, musicians, magicians, adventure-seekers, dream makers, and creative intellects of all colorful shapes and sizes. — Anonymous, 2013. Imported from the original ratemyartistresidency.com archive.
Includes the original Rate My Artist Residency community poll: 4.0 from 42 votes (archival, 2013–2016).
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